Live Graphics Coordinator

Live Graphics Coordinator - Remote

Earned Media Productions · Contractor, monthly retainer

The role

We run live streams. Mostly recurring creator and talk-show formats, plus sports and esports work that comes through on a rotating basis. You own the graphics side of those broadcasts: building the package before the show, running it live, and keeping it clean when the rundown changes mid-stream.

This is a hands-on operator seat, not a design-only one. You'll be in the switcher during shows.

What you'll do

• Build and maintain graphics packages per show and per client: lower thirds, topic bugs, guest cards, transitions, sponsor reads, end cards
• Run graphics live during broadcasts. Cue, trigger, and adjust on the fly off the producer's calls
• Prep and QC every asset before air. Spelling, logo lockups, safe margins, correct sponsor placement
• Keep template libraries organized so shows can be turned around fast and nothing gets rebuilt twice
• Handle in-show changes: guest swaps, timing shifts, late sponsor adds, breaking segments
• Do a tech check before every show and flag problems early
• Build post-show clip graphics when a show needs social cutdowns

What you need

• 2+ years running live graphics on real broadcasts, not just recorded edits
• vMix and OBS/Streamlabs. You should be comfortable in both
• Singular.live or CasparCG experience
• Adobe: After Effects, Photoshop, Premiere
• Strong English. Comms during a live show are fast and in English
• Reliable hardware and redundant internet. Wired connection, backup (mobile hotspot or second ISP)
• Available for US Eastern time show windows, primarily evenings and weekends

Nice to have

• HTML/CSS/JS for browser-based overlays
• Sports scorebug and stat integration work
• Motion design chops to build packages from a brand kit, not just operate them

Details

• Contractor (PJ), monthly retainer
• 100% remote, based in Brazil
• BRT is one hour ahead of US Eastern for most of the year. You'll be working nights on show days
• Rate based on experience and expected show volume